Bookshop

Welcome to the V. Press bookshop

Here you can find details of our titles in order of publication/stock arrival from printers, starting with the most recent.


To find pamphlets or books by a particular poet, please visit our Writers/Illustrators page, where authors are listed alphabetically according to their surname.

Further information about selected individual titles may also be found on the Chez Nous page.

We have eclectic tastes, with poetry and flash fiction titles ranging across accessible, narrative, lyrical, experimental, process-inspired...etc. Hopefully, these pages will give you enough information for you to find the right titles for your reading tastes. But if not, please do email us at vpresspoetryAThotmailDOTcom with any questions/for personal recommendations.

THERE'S SOMETHING MACROCOSMIC ABOUT ALL OF THIS



The short fiction in There’s Something Macrocosmic About All of This by Santino Prinzi is very human and very heart-provoking.

“Hilarious, playful, profound and fierce, these stories ring with wonder at the messy world of sex and love. Prinzi's fiction is addictive because of their unflinching sensuality and sharp attention to emotional detail.” Meg Pokrass

“InThere's Something Macrocosmic About All of This, Santino Prinzi looks for the big truths in everyday moments. From coming out to falling out, each of these stories is a nuanced study of human nature – full of insight and wit.” Christopher Allen


40 pages, R.R.P. £6.50


PRE-ORDER a copy of There's Something Macrocosmic About All of This now using the paypal options below. [This title is published in June 2018, pre-orders are dispatched in the week of publication.]


There's Something Macrocosmic About All of This (including P&P)

A sample story from There's Something Macrocosmic About All of This may be enjoyed be here.


THREE MEN ON THE EDGE


Three Men on the Edge is a flash fiction novella by Michael Loveday featuring three men living on the edge of London.

The story of the three men – Gus, Denholm and Martyn – is narrated in three distinctive sections: Denholm – Cause for Alarm; Gus – The Invisible World; Martyn – Chewing Glass. 

“A beautifully crafted novella-in-flash, small and perfect slices of life written with skill and heart.” Kit de Waal

“In his debut novella Michael Loveday sketches with a delicate brush the colourful lives of three troubled men living on the edge of London. With poetic language and emotional precision, Loveday writes like a cartographer about the wilderness we call ‘the human heart’.” Meg Pokrass

“This is a novella full of the aches and bruises left by loneliness. It's written in fragments, like a bottle smashed during a solitary boozing session, but it coheres around the vividly captured edgeland that haunts the three men. This a heart-felt book, but its prose is controlled by a steely intelligence. It's funny, too – and moving and scary. Michael Loveday is a name to watch. He's writing a new kind of fiction.”  David Swann

Three Men on the Edge is very richly shaded and very unconventional.

R.R.P. £9.99

Sample flashes from each of the three sections of the novella may be enjoyed here.

PRE-ORDER a copy of Three Men on the Edge now using the paypal button below. [Three Men on the Edge is published at the end of June 2018. Pre-orders are dispatched in the week of publication.]


Three Men on the Edge (including P&P)

AGAINST THE PULL OF TIME



Against the Pull of Time is a spiritual and physical journey. On the island of Iona Jenna Plewes travels far into herself to come to terms with loss, ageing and mortality. The outer landscape is wonderfully realized. Sea, shore, shells, birds and buildings play a central role in her inner exploration. The immediacy of the pared writing in this sequence, its telling details and the sharing of a deeply-felt experience, draw the reader into Plewes’ journey.” 
Myra Schneider

“In tender, beautiful and unsentimental language Jenna Plewes takes us on a journey, walking barefoot on wet sand, sitting in a ruined nunnery, musing on the shoreline 'handcuffed to the sea'. it is a long time since I have read a collection that moved me so. One line somehow says it all: 'so many things are precious in the leaving and the letting go'. This is a collection I want to read over and over – also rare these days.”     Roselle Angwin

Against the Pull of Time is very deep-rooted and seamlessly woven.

R.R.P. £6.50

A sample poem from the pamphlet may be enjoyed here.

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Against the Pull of Time (including P&P)

UNABLE MOTHER


“This work challenges our abstract and cosy notions of motherhood with a brutal and vulnerable delve into the psyche. Calcutt grapples, sometimes violently, sometimes with aching tenderness, each hard-won line ‘like squeezing / flesh and fruit from the bone, / this terrible love’. Yet these poems reach even further, into the rent world, and the remarkable kinds of beauty to which poetry alone can allude. is an intimate book, the kind that comes in close to your ear to whisper dark secrets and unavoidable truths. These poems are spare, careful, insistent--and devastatingly good.” Robert Peake

“Helen Calcutt’s poems are full of surprising and intricate moments - they unfold like origami, deftly packing and unpacking themselves into new forms and presenting the reader with confidences, secrets and insight, the tender words for the things that are hard to say. In their explorations of motherhood, loss and discovery, Calcutt’s poetry is steeled with precise language, always finding clarity forged in the heart of experience.  These are intimate poems which are felt in the body, and written with a keen physicality – ‘love is meant to live on in the body’ writes Calcutt, ‘My flesh making heaven of it.’ In their makings and re-makings, each poem here reveals this to be a remarkable and potent debut.” Jane Commane


Unable Mother is very revelatory and very achingly poised.

R.R.P. £9.99

A sample poem from the collection can be enjoyed here.

PRE-ORDER Unable Mother now, using the paypal link below. Unable Mother is published in September. Pre-orders are posted out in the week of publication.]


Unable Mother (including P&P)

HOW TO PARALLEL PARK


"Stark, poised, precisely observed, James Davey’s poetry well demonstrates how much more emotion is conveyed the greater the restraint. The poems also exhibit an impressive musicality, from the lilting to the percussive. Each poem rewards rereading." Carrie Etter

"These poems by James Davey are vivid, articulate and entertaining. They evoke the peculiar intensity of childhood fears, the angst of adolescence, the tremors of first loves. Davey has a gift for clear-eyed dramatic presentation, as well as an often-humorous take on human condition and a true empathy for the various characters he comes across, be they ‘pyroman’ a down-and-out who accumulates trash to burn, the terrified child taken on a hunting trip, or the lover discovering the ‘colours’ of a girlfriend. This is a promising and well-wrought debut." Amy Wack

"Davey’s work is confident, crafted, elegant in its simplicity. The poems are full of moments of recognition for the reader, subtle emotive power balancing understated humour. I trust him to show me something worth seeing with no fluff around the substance." Anna Freeman

Set in England and Italy, the poems of How to Parallel Park are very emotive, very molto a pelle.

How to Parallel Park is James Davey's debut poetry pamphlet. A sample poem can be found here.

BUY How to Parallel Park now using the paypal link below. 


How to Parallel Park (including P&P)
SOMEWHERE BETWEEN ROSE AND BLACK


“There is a disquiet that moves through these poems. Walker explores what it means to create a sense of home, and how the people within it build our longings around us. Beautiful work by a rising star in poetry. These are words that linger after the last page.” Angela Readman

“Claire Walker’s quiet, almost still, narrative through these poems could reflect their rural setting or the sadness within the protagonist, yet that quietness is deceptive. There are passions here amid the juxtaposition of man and stag.  These poems will have you checking your fingernails for soil, seeing antlers in your peripheral vision.” Brett Evans


Somewhere Between Rose and Black is very earthy and very enigmatic.

A sample poem from the collection may be enjoyed here.

R.R.P. £6.50

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BLINK

“Jacqui Rowe’s Blink shares extraordinary visions of personhood and place, giving voice to the many voiceless figures in her finely tuned ekphrasis and emotive allegorical poems inspired by the likes of Apollinaire, Verlaine, and Lorca. Combined with plaintive elegies for both loved ones and her heartland, this is syntactically refreshing poetry that serves to move and inspire.” Robert Harper

“Sometimes a poetry collection won’t let you put it down. This is one such collection. In Blink, Jacqui Rowe has transcended the mere act of description, lifting the poems from the page with a lyrical palette knife, painting each scene with an intelligent, witty and moving style. This is how to write poetry. I will return to these poems again and again.” Wendy Pratt  

Blink is very very vibrant and mercurial.

A sample poem from the collection may be enjoyed here.

R.R.P. £9.99

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RICE & RAIN

The poetry in Romalyn Ante's Rice & Rain is very rich and very distinct.

“Romalyn Ante's poems are exquisitely detailed and a real feast for the senses. She has an instinctive talent for crafting precise and finely-tuned poetry that captures the exact sensations –  potent, close to home and as incisive and accurate as a scalpel's first cut. Whether it is the sun's rays that ‘infiltrated your bones, filling them with gold’, or the heart which breaks open like a pomegranate, ‘the seeds, / rusty-red like rivets, / contour a constellation’, life's preciousness is measured here carefully in its proximity to death. These poems are gracefully poised and balanced perfectly, alive with their own irresistible songs of love and longing.” Jane Commane 

Rice & Rain is an impressive first collection of poems that take us from the Philippines to Cannock Chase. The poems are confidently written – Romalyn Ante’s surprising and original imagery shows us how to fatten a boy with the boiled water from rice-rinsing; a handbag mirror made from solidified gin; cornflake sunsets.
“Her poems explore sickness and separation – the longing for the sour-sweet taste of home – but there is also emphasis on nurturing and nourishment. With many references to food from ‘sheen pieces of bullet tuna wrapped in banana leaves’ to ‘luggage stuffed with sun-dried squid’ it is a book you feel you could almost eat.” Jane Seabourne

A sample poem from the collection may be enjoyed here.

R.R.P. £6.50

BUY a copy of Rice & Rain now using the paypal link below.


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WALKING BACKWARDS


The short fiction in Walking Backwards by Charlie Hill is very human and very distinctive.

"With Walking Backwards Charlie Hill gives us dense fragments of closely-observed lives, obsessive interiors and broken, unspoken loves. The result is touching, funny, melancholy.”  AL Kennedy

“Charlie Hill dissects the solitary, dignified struggles of day to day life with great tenderness – his stories are beautiful and moving, a balance of cool observation and tenderness. A brilliant collection.” Catherine O'Flynn


“Charlie Hill writes artfully about the gaps between people, of those caught out by love or hushed by pain, or others seeking order within chaos, solace in the face of change.” Catherine McNamara



The title story from the collection may be enjoyed here.

R.R.P. £6.50

BUY a copy of Walking Backwards now using the paypal link below. (Walking Backwards is officially released at the end of June 2017. Pre-orders will be sent out in the week of publication.)



Walking Backwards (with package & posting options)



THE CHEMIST'S HOUSE




The short fiction in The Chemist’s House by Jude Higgins is very evocative and very colourful.

“A collection that pokes softly at the spaces between people: sister, brother, father, mother, neighbour, friend. Higgins’ stories reveal moments where small truths, and lies, dwell. Understated and quiet, these small fictions paint lives gently, but oh so colourfully.” Michelle Elvy


“In interconnected, finely wrought flash fiction stories, Jude Higgins creates a  coming-of-age tapestry — of family love and conflict; and of a girl’s passage into womanhood. Higgins' flash pieces blend into one masterly and moving whole: poignant, loving, and profound in emotional impact.” Meg Pokrass

A sample story from this pamphlet, 'Out of bounds', can be found here.


BUY a copy of The Chemist's House now, using the paypal link below.


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THE NAGASAKI ELDER



"Antony Owen closely examines the human toll and the indiscriminate effects of chemical warfare in this new and affecting collection.  Owen’s exploration is both tender and melancholic, and his imagery of flesh transmuted is as beautiful as it is horrific.  This book sings and weeps of loss; it is a testimony to the survivors and the wounds that they carry; to the dead and the shadows they leave on the earth.” Helen Ivory

 “Antony Owen is the bravest British poet of his generation. He goes to places poetry doesn't visit and lingering there, crafts acts of testimony and tribute. He does what art is supposed to; raising us the highest so that we can see the deepest. The Nagasaki Elder in its stunning evocation of human suffering is simply his best work yet.” Joe Horgan

The Nagasaki Elder is a beautiful and harrowing account of a journey through the bombed cities of Japan.  Unlike most poets who hold forth about atrocities, Antony Owen has been there.  He has spoken in depth to the Hibakusha and transformed their voices into some extraordinary poems.  And we must listen, if we don't want our world to end as theirs did.” Merryn Williams

The Nagasaki Elder is very very hard-hitting yet very tender.

A sample poem from the collection may be enjoyed here.

R.R.P. £9.99


BUY a copy of The Nagasaki Elder now, using the paypal link below.



The Nagasaki Elder with packing & postage

TELL MISTAKES I LOVE THEM


“In poems at once energetic, tense, and original, Stephen Daniels' first pamphlet compellingly explores everyday experiences. By turns funny and poignant, Tell Mistakes I Love Them is a refreshing debut.” Carrie Etter

“What Stephen Daniels does here is to lead us with wit and wisecrack absurdities over to the other side of the looking-glass and then leave us there staring at our scary selves, unable to put back together the uneven pieces of our daily eruptions and catastrophes. This is humanity caught botching it through life, but Stephen’s choice is to float over the nausea and master the downwards flying that is our constant falling.” Cristina Navazo-Eguía Newton

“Stephen Daniels’ poems deal with the difficulty of growing in an uncomfortable world. These poems are structured to be as uncomfortable as the stories they reveal, they are awkward and honest, show the true damage of childhood shame rising into adulthood – they take unexpected turns: human trauma in a real twisted, surreal reality. A striking first pamphlet!” Hilda Sheehan

“Stephen Daniels takes the ordinary, the everyday and makes it strange and sinister – revealing how ordinary life is, in fact, rooted in strangeness. Daniels takes us on a journey through childhood and modern family life. But these are not happy or sentimental poems; they don’t shy away from the more difficult aspects of domestic life – often exploring ideas of miscommunication, regret and how families are casually cruel to one another. Daniels is a master recreating the implied sense of threat that often lurks behind the everyday. The language of the poems is deceptively light and playful, which make them a joy to read: “we stole a real imaginary lorry/that smelled of circus” (Grounded), but the real power of these poems is in the way he uses surreal and sometimes disjointed language in the spinning of his tales. The effect is not unlike finding yourself in a dream where everything is slightly off kilter. This wrong-footing made me want to revisit the poems again and again – and on each reading I discovered something new and exciting. Daniels is definitely a poet worth watching.” Julia Webb



Tell Mistakes I Love Them exposes social nerves and pokes at the wounds with poems that are very vulnerable and very poignant.

A sample poem from the collection may be enjoyed here.

R.R.P. £6.50

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Tell Mistakes I Love Them (with P&P options)

SCARE STORIES


“The poems in Scare Stories offer us exactly that: a series of richly populated narratives that show the contemporary moment as a grotesque and fearful nightmare. This is a world of war and refugees, high politics and helicopters, sex and suffering as entertainment. Somewhere at the root of things is money. It’s all delivered in sharp quatrains whose flamboyant rhyming makes it more brutal, not less. It’s a vision, in the Hieronymus Bosch sense, funny and horrifying, but it’s redeemed at last by our futile wishing for redemption. Scare Stories would have had Gottfried Benn cheering wildly, and if that's not a troubling idea I don't know what is.” Tony Williams

“David Clarke conjures up post-apocalyptic visions that are uncomfortably close to our present. All of humanity is played out here, from gamers to generals, the whole bitingly observed. Scare Stories is a frightening mirror, but it’s also compelling and hypnotic, I dare you to look away.” Claire Trévien

Scare Stories is a sequence of poems that is very unusual and very unsettling.

LONGLISTED for Best Poetry Pamphlet in Saboteur Awards 2017.

David Clarke's sequence-length pamphlet Scare Stories is published by V. Press in March 2017. Clarke's pamphlet, Gaud (Flarestack), won the Michael Marks Award in 2013. His first full collection of poetry, Arc, was published by Nine Arches Press in 2016 and was longlisted for the Polari First Book Prize.

A sample from the pamphlet can be found here.

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BOLT DOWN THIS EARTH

Bolt Down This Earth is Gram Joel Davies' first collection, published by V. Press in  March 2017.


Bolt Down This Earth pulses with energy. These poems hang between ambition and loss; they span survival in the home and on hilltops, stretch over break-ups and break-downs. Gram Joel Davies strips back the boards of existence to look at the wires—searching for human voices where the breeze hums though cable or branch. Adolescent ritual turns to a “lightbulb crushed into light.” His imagery is electrifying. Harmony and dissonance cause unexpected meanings to crackle and spark, while scenes and relationships fuse, so that a “power station is an ice cube / across the mica flats / and cider stymies us.” 


“Linguistically bold and alive to the thisness of its moments, Bolt Down This Earth is a debut collection of lyric energy and inventiveness, full-throated and confident in its own power to convince. An arrival to be celebrated.” Martin Malone


“Gram Joel Davies’s first collection slips deftly between a West Country past and the present. The poems are full of taut observation and meticulous attention to detail. And though there is an urban feel to many of them, the collection is brimful of nature. The poems are often peopled with the troubled or misunderstood, and the worlds they move in are shadowy and uncomfortable versions of those we know – almost dystopian at times. There is often a sense of the narrator or central character being the outsider (a boy almost drowning, two teenagers exploring a derelict hospital, a father too fond of his drink) and there is a disquieting and almost violent sensuality too. The complexity of the worlds these people move in is echoed by the complexity of the way Davies puts words together – sometimes joining two words together to create new words; weaving something rich and new that casts its melancholy spell over the reader, but never excludes them. In these poems the uncomfortable tinnitus of the past encroaches on the very real tinnitus of the present. This is compounded in the powerful Tinnitus sequence that is dotted throughout the collection like a central column that the other poems hang on. The cumulative effect of the layering of numerous and various language is both troubling and stunning. These are poems whose subtle inventiveness works its way into your subconsciousness, poems that you will want to revisit time and again.” Julia Webb

Bolt Down This Earth is very vital and very charged.

A sample poem from the collection can be found here.

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FRAGILE HOUSES


Fragile Houses is Nina Lewis' first pamphlet, published by V. Press in autumn 2016.

Home is more than a brick building, family trees or ancestral bones. In Fragile Houses, Nina Lewis explores the people, places and memories carried through life. Vibrant imagery and precise insight reveal strength in the most tender places. The pamphlet includes a photographic sequence from S.A. Leavesley that is directly inspired by the poems’ vivid mix of fragility and sharpness. Fragile Houses is very authentic and very fervent.

“In this engaging debut pamphlet, Nina Lewis deftly examines the human condition through the lens of family relationships. There is more than memoir here; issues of connection and disconnection, presence and absence, are gently explored while always acknowledging ‘These years can’t be backtracked or re-spent’ (from ‘Fusion’).” Angela France


“Nina Lewis’ debut pamphlet from V. Press explores memory and family. These are exact, concisely-conceived poems which find their power in restraint and understatement – ‘In our family, minds go missing’. She writes observantly about memory, and its trickeries, caught ‘somewhere in the space/ between those two lost letters, / as vivid as gold-dust,/ falling to the earth.’ Throughout the pamphlet Lewis maintains a voice which is sometimes sad, but truthful and grown wise, with some really memorable images which successfully convey the strong emotions she deals in – ‘He stayed away. Radio silence. / An opaque circle was drawn around our house/ filled with white noise.’” Jean Atkin

R.R.P. £6.50

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Fragile Houses (including P&P)
A sample poem may be found here, along with a sample image from the pamphlet's  photographic sequence by S. A. Leavesley.


A CAREER IN ACCOMPANIMENT


A Career in Accompaniment is Alex Reed's debut poetry pamphlet.


A Career in Accompaniment is a pamphlet of love, loss and surprising lightness. Based on Alex Reed’s personal experiences, these poems witness what it is like to care for a lover with severe illness and to live with a future where there is no “escape without damage”. Spare and accessible language of the everyday reinforces the emotional power and resonance of “all the falling” but also recalls moments of great tenderness, when “the world lit in her eye”. This poetry of “fragile places” is very intimate yet very universal.



“Reading these poems, you are struck by their striving for truthfulness – as if that might be the key to making sense of a seemingly senseless situation, a life no one could prepare for. And yes, truthfulness seems to work – opening into absolute presence, careful observation of detail and moment-by-moment tenderness and courage. Here you are listening to a generous, unassuming voice, drawing our human vulnerability and capacity for endurance closely together, with space to breathe and gather what threatens to scatter. Restraint and discretion characterise the poems as well as openness – a hard-won but lightly-worn congruence. ‘A Career in Accompaniment’ reminds us what poetry makes possible.” Linda France


R.R.P. £5.50

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A sample poem from the pamphlet can be found here:

THE OLD MAN IN THE HOUSE OF BONE


The Old Man in the House of Bone is V. Press's first illustrated pamphlet, with poems by David Calcutt and illustrations by Peter Tinkler.

Dramatic language and absorbing images blend together seamlessly into this very dark and very surreal account of ageing and loss.

"'Who’s there? Who is it? Who is it? 
Who’s there? The house of bone puts its finger to its lips. 
Says nothing. It’s keeping its secret to itself.’

David Calcutt’s The Old Man in the House of Bone is an invitation inside a shadowy and mysterious dwelling, one that is also full of curious magic and charismatic strangeness. Questions and secrets abound – does the occupier occupy the house, or does the house occupy its resident? Readers will find themselves irresistibly drawn in, and pondering these enigmas, too. This precise and striking series of poems is both consequential and sequential; each one building on the previous and the following like sediment, creating a brooding and disquieting atmosphere. Calcutt’s poetry is alert and surefooted – written with a humane touch, and always compelling.” Jane Commane



The Old Man in the House of Bone is a fable, a fairytale, is a humane and tender account of an old man’s mental and physical decline into the final silence.  David Calcutt’s imagery grows from the page and fixes itself inside the skull.  He is a master magician, a seeker of darkness.” Helen Ivory

R.R.P. £5.50

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A sample poem and illustration from the pamphlet can be enjoyed here.

BOOK OF BONES



Book of Bones is Kathy Gee's debut poetry collection, published April 2016.

“Every contact leaves a trace,” said Edmund Locard. Book of Bones examines who we are, our impact and what we leave behind. Rich with imagery, thoughtfulness and levity, Kathy Gee’s poetry is vibrant with people, places and lives connecting across time. From skeletons, scandal and hidden narratives to fathers, friendship and photographs, these are poems of identity, warmth and melancholy. 

Book of Bones is very observant, very vivid.

“Kathy Gee's debut is a cabinet of curiosities, exploring the personal and monumental past. Small artefacts and once-silenced voices are brought to life. Her observing eye takes in figures from King Henry to Goering and all points in between, seeking historical answers to very modern concerns." Jo Bell

“In this entertaining first collection Kathy Gee curates a rich display of historical artefacts, landscapes and personalities that bring the past up close – and personal. The poems, deftly fashioned and imbued with a feisty tenderness, leave traces of wonder, joy, compassion and a wry humour all of which linger pleasurably in the mind.” Stephen Boyce


RRP £9.99

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Book of Bones with P&P
Sample poems for Book of Bones, along with audio recordings of Kathy Gee reading, can be found here.

HOMETOWN


Hometown is a pamphlet of short fictions by Carrie Etter, published in April 2016, and V. Press's first flash fiction title.

Hometown brims with emotion-charged stories, distinctive characters and situations of hidden and not-so-hidden tensions in everyday lives in the American Midwest. From characters’ differing sense of responsibility to themselves, their friends and their families, to the wide-ranging aftermath of a white man’s accidental killing of a black man in central Illinois, these flash fictions illuminate the daily struggle of being human. Hometown proves very immediate and very engaging from start to finish.


"Etter's stories climb into your head and reboot it from the inside, from the squealingly joyous to the darkly sad, some with gear changes that fling you backwards in your seat, some told in voices so strong you could lean against them, and then some fragile, as if the page held nothing but the faint impression of a delicate and long-dead insect. I can't wait for more." David Gaffney

R.R.P. £6.50

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Hometown (with P&P options)

A sample story from Hometown can be read here.

THE GIRL WHO GREW INTO A CROCODILE


The Girl Who Grew Into a Crocodile is Claire Walker's first pamphlet, published by V. Press in October 2015.

Daughter, wife and mother; femme fatale, object of study and maker of myths…The Girl Who Grew Into a Crocodile explores what being a real woman has been, is, and could be in today’s society of celebrity, stereotypes and media spin. Beneath the poems’ sometimes quiet surfaces, a strong voice, pared word choices, precise images and thought-provoking metaphor make this a powerful pamphlet. The Girl Who Grew Into a Crocodile is very vivid and very resonant.

"Claire Walker's debut pamphlet The Girl Who Grew Into a Crocodile is a riveting meditation on motherhood and transformation that crackles with drama. There are moments of lyrical delicacy and oceanic longings, and Walker's perceptual acuity pitches the reader into a world where nothing is taken at face value – a girl might be a crocodile, a mermaid could become captor, and seeds are studied for their mnemonic potential. This is a work to be savoured." Carolyn Jess Cooke

"A confident and impressive debut by Claire Walker. The alluring qualities in this collection are the sense of mystique in many of her poems which at first glance appear elucidating. The stylistic fusion of narrative and illustrative poetry see-saws from the adult experience of life to a fabling account of the innocence and fragility of childhood and adolescence. Claire Walker is a writer who clearly cares about her craft and some of the dreamlike qualities of this collection are reminiscent of Joy Davidman’s work." Antony Owen

"These are poems of growth, fertility and flow – rivers, plants, women. Claire Walker skilfully combines nature, myth and the everyday, and when reading her work, it’s difficult to imagine a world where things are ever any other way. The Girl Who Grew Into a Crocodile is a stunning, quietly powerful debut pamphlet, full of wistful smiles and blissful tears." Kate Garrett 

The Girl Who Grew Into a Crocodile was chosen for the Poetry Book Society Spring Bulletin 2016 ‘Other New Pamphlets’.


RRP £4.99

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A sample poem from the pamphlet can be read here.

ART BRUT



art brut is David O'Hanlon's first pamphlet, published by V. Press summer 2015.

Set against a background of literary and artistic allusions, art brut is a precise and moving sequence on childhood and teenage institutionalisation. Tackling the nature of trying to reshape memories and carve out something positive, this pamphlet is a concentrated crafting of raw experiences into a poetry that is alive with characters and thought-provoking truths. Stripping back the sometimes over-romanticised notions of institution life, David O’Hanlon creates his own sharp and haunting art that is very real and very gripping.

"The poems in David O’Hanlon’s first collection are ‘epiphanies of sun’ which shine a light on the poet’s experiences of psychiatric illness; to read them is to experience serial insights into a much overlooked and frequently taboo aspect of the human condition. Through poetry which is both lucid and engaging, O’Hanlon manages to transform his intensely personal experiences into something more universal: poems which can resonate with everyone (and not just those who have regular appointments with a psychiatrist). Bright lights cast dark shadows, and there are references to padded cells, catatonic states, self-harm, suicide attempts, OCD, et al, yet the deftness with which they are revealed, and the resilience, honesty and humour of this highly promising young poet’s writing, will leave you feeling uplifted. David O’Hanlon shows us that while the past can have a powerful hold over us, beauty, truth and poetry can emerge from the depths of anguish and despair. An astonishing debut." Fergus McGonigal

 "If David O'Hanlon had written this sentence, you'd have shed a tear by now." Jenni Pascoe, JibbaJabba

A sample poem from the pamphlet may be read here.



art brut with P & P

RANSOM NOTES



Ransom Notes is Jacqui Rowe's fourth published pamphlet, launched by V. Press in spring 2015.

This pamphlet is a sequence of little poetry fictions that are simultaneously very serendipitous and very idiosyncratic. Each poem is an abstraction from the lives of characters conceived by chance and who emerge through the writing  without ever fully explaining themselves.

Originating from a process of cutting up and randomness, fragments of writing, sketches, poem drafts and found texts were initially combined to form documents resembling a kidnapper’s ransom notes. These were then crafted and shaped. It may be that the same people recur throughout the poems, heard variously in different voices from diverse points of view, or that they are several characters, interacting in and populating the same world.

“Ransom Notes is a beguiling construct of abducted and redeemed words, still trailing the resonances of unknown former contexts. From them, Jacqui Rowe has teased and finessed new narratives, characterized by dissonant echoes, tonal shifts, sudden depths and elliptical insights.” Alasdair Paterson



“Beautifully crafted poems which reveal themselves slowly with each read. This is a pioneering work by a poet on top of her game.” Antony Owen

A sample poem from the pamphlet can be viewed here.


In a detailed review of Ransom Notes on Sabotage Reviews, Alice Tarbuck comments on how “Rowe enjoys playing with meaning, but is also aware of the potency of the non-meaningful in found poetry” and concludes: “the tantalizing lack of punctuation makes this poetry text flexible, as if what is found there might alter according to the reader’s whim. A fascinating pamphlet.”


The full review may be found here.


RRP: £4.99





Ransom Notes with P&P
THE VAGINELLAS


V.Press's first title  published in June 2013 for The Vaginellas' live performance at Ledbury Poetry Festival in July 2013.

Stark, ballsy and all-embracing, the poems in The Vaginellas are in turns very funny, very feminist and very empowering.

The strong distinct voices of these poets  Catherine Crosswell, Jenny Hope, Sarah James and Ruth Stacey – explore the highs and lows of both the male and female body. No intimate parts escape untouched in this delightful concoction of fun, feminism, sauce and seriousness.

Their tight and engaging writing sets mythology, metaphor and belly laughs alongside thought-provoking explorations of modern society, historical female creativity and contemporary cultural concerns.

That this should be V. Press’s first title, also seems particularly apt, given Tony Harrison’s eponymous poem V.

None of the language in The Vaginellas is gratuitous, every word serves its purpose – to captivate readers, be it in a lyrical, erotic, fun way or a reclaiming of historical terms that have been manhandled for years.

Sample poems from the book can be viewed here: The Vaginellas.


RRP: £5 / $8 / €6


Copies are now only available via Amazon.

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